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Religious motifs in the work of Karel Kryl
Volmanová, Mária ; Neumann, Lukáš (advisor) ; Komberec, Filip (referee)
This bachelor thesis will deal with religious motifs in the work of Karel Kryl. The text which will be analysed will be taken from the entirety of this author's work. The main goal will be to analyse individual religious motifs and explain their meaning and role in Kryl's poetics. The theoretical part will explain which terminology will be used in this thesis. The following part will talk about Karel Kryl himself, and his relationship with religion. The most important part of this thesis will be the analysis and interpretation of the chosen texts. These texts will be divided into subchapters according to the main religious motifs. Within these subchapters they will be sorted chronologically according to their date of origin.
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Pietá in the Czech Art in the first half of the 20th Century.
Jarolímková, Klára ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
This thesis is concerned with the motif of Pietà in the painting and graphic by the Czech and Czech-German artists in the first half of the twentieth century. It explores the inpirations and influences of the religiously oriented pieces of this set of painters. At the beginning there is summarized the evolution of the iconographic motif of Pietà which was isolated from the motifs of the Lamentation of Christ and the Descent from the Cross. The thesis has two parts. First one focuses on the Czech artists and the second one on the Czech-German artists belonging to the Czech artistic scene in this period. The chapters are named after the intellectual basis and the similarity of expression of the included artists. In the early 20th century Rudolf Adámek was occupied by the motif of Pietà in the association with the contemporary symbolism. Karel Holý shifted the meaning of Pietà to the formulation of the hard human deal as well as František Tichý in his compositions od the Good Samaritan quite similar to the wooden gothic statues of Pietà. The existentialist ideas appeared in the work of Jan Autengruber. Vojtěch Tittelbach mixed the existentialist anxiety with the joyful circus performances. The theme of Pietà became actual in the wartime. Karel Černý responded with several paintings of Weepers with...
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Christian motifs in the poetry of Jan Zahradníček
Vašková, Anna ; Pospíšil, Ctirad Václav (advisor) ; Houkal, Jan (referee)
Christian motifs in the poetry of Jan Zahradnicek Abstract The goal of this thesis is to capture development and change of religious motifs in poems of Jan Zahradnicek and reflect on them the phenomenon of faith in poet's life with respect to the life events that shaped it. The thesis tries to define basic spiritual thelogical starting points of Zahradnicek's poetry and to point out the relationship between literature and theology. The aim of this work is to find and examine the constant features and development of Zahradnicek's Christological reflection: biblical basis, christological images, incarnation, mystery of Jesus' life, theology of the cross and soteriology. Keywords Jan Zahradníček, Christology, Soteriology, Systematic theology, Theology and art
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Pietá in the Czech Art in the first half of the 20th Century.
Jarolímková, Klára ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
This thesis is concerned with the motif of Pietà in the painting and graphic by the Czech and Czech-German artists in the first half of the twentieth century. It explores the inpirations and influences of the religiously oriented pieces of this set of painters. At the beginning there is summarized the evolution of the iconographic motif of Pietà which was isolated from the motifs of the Lamentation of Christ and the Descent from the Cross. The thesis has two parts. First one focuses on the Czech artists and the second one on the Czech-German artists belonging to the Czech artistic scene in this period. The chapters are named after the intellectual basis and the similarity of expression of the included artists. In the early 20th century Rudolf Adámek was occupied by the motif of Pietà in the association with the contemporary symbolism. Karel Holý shifted the meaning of Pietà to the formulation of the hard human deal as well as František Tichý in his compositions od the Good Samaritan quite similar to the wooden gothic statues of Pietà. The existentialist ideas appeared in the work of Jan Autengruber. Vojtěch Tittelbach mixed the existentialist anxiety with the joyful circus performances. The theme of Pietà became actual in the wartime. Karel Černý responded with several paintings of Weepers with...
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